ICAAD Opens "Canvas of Change" at the United Nations

Endorsed by UN Women, the exhibition runs June 5 through July 10 and features artist talks with Namita Kulkarni and Vishavjit Singh

The International Center for Advocates Against Discrimination (ICAAD) recently opened Canvas of Change: Stories of Climate, Displacement, and Resilience at the Main Lobby Gallery of United Nations Headquarters in New York, running June 5 through July 10, 2026, with free admission. It is the first major UN exhibition from ICAAD's Artivist-in-Residence program. 

Canvas of Change is an exhibition of works built for accountability. Beyond the powerful atmosphere it creates, the exhibit brings together works that document histories of structural harm, hold space for collective memory, and in some cases, feed directly into the legal and policy movements fighting to address them. The exhibition presents works across four movements: Origins, Memory, Community, and Belonging, each rooted in a distinct history of structural harm and community resistance.

"ICAAD has always worked across law, tech, and art because no single discipline has ever been enough to confront structural discrimination on its own. Every work in the exhibit is connected to a movement, a systems problem, an affected community. Confronting it requires people to examine not just the systems around them, but the assumptions they carry inside them. That is what this exhibition asks of every visitor, including the ones with the power to change things."— Jaspreet Singh, Co-Founder, ICAAD

From a Church Hall in Auckland to Stopping a Mining Operation

In 2022, Banaban dancer Zach Bakaua Tabukinibanaba raised an idea with ICAAD Artivist Katja Phutaraksa Neef and Director Erin Thomas: bring the story of the Banaban people, displaced by British colonial phosphate mining in 1945 and relocated to Rabi Island in Fiji, directly to the people responsible. The resulting waterfront exhibition in Auckland drew 849 visitors and brought Banaban dancers face-to-face with political representatives who had never engaged with this history. It catalyzed the Banaban Human Rights Defenders Network, which helped stop a renewed attempt to mine Banaba in 2023 and carried the Banaban story to the UN in Geneva in 2025. Art opened a door, and legal accountability followed. 

Justice for Rabi is one thread in a larger tapestry. Canvas of Change brings together South Asian, African American, and Indigenous artists across four movements, each a distinct lens on how art holds histories that legal and political institutions have failed to hold.

Four Movements

Origins: Colonialism and the Climate Crisis. Namita Kulkarni's paintings examine over-extraction and Indigenous sustainable practices as inseparable threads of the same story. 

Memory: A Home in the Constant Flux. Dilpreet Bhullar traces memory and the objects of love that survive migration. 

Community: Justice for Rabi. Works by Katja Phutaraksa Neef, Vaitoa Teaiwa Mallon, and the Banaba Women's Organization document the Banaban people's decades-long struggle for recognition and reparations. 

Belonging: American Sikh and re:covering. Vishavjit Singh and Ryan Westra present the true and unlikely story of an American-born, turban-wearing Sikh man who, after a lifetime of prejudice and self-doubt, finds acceptance in a superhero costume. Queen's quilt-inspired re:covering invites visitors into a re:flexing practice, examining how internal assumptions shape external systems of harm.

Artist Talks: June 11 at 4 PM (Namita Kulkarni), June 12 at 4 PM (Namita Kulkarni and Vishavjit Singh), June 19 at 12 PM (Vishavjit Singh).

How to Visit: Free and open to the public, Monday through Friday, 9 AM to 5 PM. Registration in advance is required to enter the UN -- click here to visit.

We're thrilled to share that ICAAD, in partnership with SikhLens and Cerritos College Art Gallery, is bringing our acclaimed 1984 exhibition to the West Coast.

ICAAD's Artivism Program centers artists as architects of just futures — working alongside communities to confront structural discrimination, preserve collective memory, and imagine alternatives to systems of harm. By weaving creative practice with legal advocacy and institutional engagement, we transform lived experience into pathways for accountability, healing, and systemic change.

Art, Resilience, and the Legacy of 1984 - West Coast Edition will open at Cerritos College Art Gallery on October 31, 2026, the anniversary of the outbreak of the Sikh Genocide, and run through December 10, International Human Rights Day.

The exhibition will feature a selection of works from our acclaimed 2024 New York showing, which drew over 500 visitors in just 9 days and was recognized by the NYC Public Advocate, alongside new works by Sikh American artists on the West Coast.

We will soon be issuing a call to West Coast artists to submit their work for inclusion, mirroring the community-centered process that made the New York edition so powerful. 

The exhibition is free and open to the public, with programming that includes an opening reception, speaker events, interactive healing dialogues, and educational components for students and the wider community.

For a community that has long carried the weight of 1984, this is a space to remember, to heal, and to be seen.

Stay tuned for the call to artists and more updates. Your ongoing support makes this work possible.

Waheguru Ji Ka Khalsa, Waheguru Ji Ki Fateh!

On December 4th, ICAAD hosted Canvas of Change, an intimate art fundraiser supporting our Artivism Program and our broader work at the intersection of art and human rights. Whether you joined us in Tribeca or followed along from afar, we wanted to share a glimpse of the evening—and what it’s helping to make possible.

The evening brought together artists, advocates, technologists, funders, and friends to celebrate the role of creative practice in advancing human rights—and to collectively support ICAAD’s work at the intersection of art and advocacy. 

It was a special night of conversation, creative exchange, and shared commitment to justice. We were honored to be joined by ICAAD Artivists Namita Kulkarni from India and Harbani Ahuja from New York, and to experience work that reflects how art can illuminate lived experience, challenge inequity, and imagine new pathways forward.

The live auction was a highlight of the evening and was expertly led by professional auctioneer Jacqueline Towers-Perkins, whose stewardship and energy helped make the fundraiser a success. With 54 people in attendance, we raised $60,630, and sold 10 artworks. Proceeds from both the live and silent auctions directly support ICAAD’s Artivism Program, the artivists we work with, and our broader human rights work.

Jacqueline Towers-Perkins kept the audience excited to give. 

The artworks featured in Canvas of Change span painting, mixed media, digital, and text-based work, each rooted in distinct cultural and political contexts. Several of the works shared during the evening are slated to be featured in an upcoming Canvas of Change exhibition at the United Nations in 2026, reflecting the growing role of art in global human rights spaces.

ICAAD Artivist Namita Kulkarni speaking about her artwork and the importance of artistic activism.

We extend our sincere thanks to Jim Leitner and Tracy Higgins for so generously hosting the evening, and to our law firm sponsors, Manatt and Clifford Chance, whose support helped make this fundraiser possible.

L to R: Hansdeep Singh, Tracy Higgins, Jim Leitner, Jaspreet Singh, Jyoti Diwan

Canvas of Change Silent Auction — Relaunching for Two Weeks

For those who were unable to participate during the event, we have reopened the Canvas of Change silent auction for a limited two-week period, ending on 12/29. This relaunch offers an opportunity to explore and purchase artwork from ICAAD’s global Artivism Program while directly supporting artists and human rights advocacy.

All proceeds support ICAAD’s Artivism Program and ICAAD’s broader work across law, data, advocacy, and creative engagement—equipping communities most impacted by systemic inequity with tools to drive long-term change.

Bid Boldly in the Silent Auction

Thank you to everyone who joined us, contributed, and helped make Canvas of Change such a meaningful and successful evening. We are grateful to be building this work alongside such a committed community.

ICAAD Artivists Harbani Ahuja and Namita Kulkarni

ICAAD has recently launched a virtual exhibition of A Home in the Constant Flux: A Call to the Verb Memory, which is a photo series developed by ICAAD Artivist, Dilpreet Bhullar based out of India. 

The photo documentation of the object of the refugees – Afghanis, Rohingyas and Tibetans, who are currently inhabitants of New Delhi and Jammu and Kashmir – along with the personal anecdotes recorded, traces the long history of India rooted in a diverse social milieu. 

Her work is best shown rather than described, but we'll leave you with a quote and link for her exhibit:

"From the lacuna of a language in the face of an overwhelming magnitude of violence and exile a labyrinth of fiction is born. The liminal space of memory against the troughs and crests of systematic absentia illuminates the age of objects and grains of territories. The routes A Home in the Constant Flux: A Call to the Verb Memory lie in the roots of engagement and reflection with everyday experience of fragility and precariousness." ~ Dilpreet Bhullar

Experience the Exhibit: A Home in the Constant Flux: A Call to the Verb Memory

American Sikh has received the incredible honour of being named winner of the Animation: Video and Film category of the Webby Awards - the leading international award honoring excellence on the internet! This is such a massive achievement for Vishavjit Singh, who we have had the honor of supporting as an artivist-in-residence.

We are overjoyed with this news and privileged to be a part of the film as one of the Co-Executive Producers.

The film also received amazing coverage on ABC’s “The View,” being introduced by none other than Whoopi Goldberg. You can watch that coverage here.

Shortly after winning the Webby, the film also won the Gold Telly Award in the Animation: Short Form category.

Huge, huge congratulations to everyone involved!!!

Stay tuned -- we are excited to announce two new online exhibits soon!

Also, keep an eye out for an enrollment announcement for ICAAD's next Advocacy Essentials Certificate course -- Foundations: re:flexing. This is one you don’t want to miss. Be the first to know by joining the waitlist.

For generations, the people of Banaba have carried the weight of displacement and colonial extraction. Stripped of their homeland by phosphate mining that fueled agricultural industries far from the Pacific, Banabans were forcibly relocated with their island left uninhabitable. Yet, their efforts for justice have never faded.

Over the last four years, our collaboration with the Banaban Human Rights Defenders Network (BHRDN) has leveraged artivism for advocacy. The Justice for Rabi: The Story of Banaba Exhibit brought to life the lived experiences of Banaban communities through art, photography, and storytelling which communicated this complex history in a transformative manner, demonstrating the power of art as a tool for advocacy. Our latest advocacy efforts have demonstrated how artivism works not only to engage communities but also policymakers.

In 2023, the physical exhibit made waves in Auckland, New Zealand and has been echoing through our global network through the virtual exhibit. In addition to widespread awareness and mobilization of supporters, the exhibit has been an advocacy tool for our partnership. 

Visit the Virtual Exhibit

In the UN’s most significant human rights review process, the UPR, we ensured that Banaban concerns were on the agenda. Bringing together pro bono legal research, human rights reporting, lobbying, and artivism, governments were compelled to listen. Our recommendations, grounded in grassroots realities, became part of the official record. This is what it means to move from storytelling to systems change: a community’s lived experience shaping international human rights discourse.

None of this happens in isolation. The ability to connect art with advocacy, grassroots demands with global mechanisms, relies on those who believe in the power of this work. Your support enables initiatives like this to flourish — not just for Banaba, but for communities worldwide dismantling unjust systems. When we invest in artivism, we unlock new avenues for awareness, action, and accountability. Thank you for standing with us.

Explore the powerful stories and works showcasing Sikh resilience in the legacy of the 1984 genocide. 

‘Nineteen Eighty Four’ for many in the west brings to mind the fictional dystopian world authored by British Novelist Goerge Orwell. 1984 or ‘Uni Sau Chaurasi’ for Sikhs around the globe is etched as a real life dystopia of genocidal violence in India.

From October 31st to November 9th, the exhibit, 40 Years Later: Art Resilience and the Legacy of 1984 was held at Jutta gallery in downtown Manhattan, New York City. This exhibit created a space for the voices of those who lived through this carnage, who lost family members, who carry the generational pain and trauma of this genocide.

The exhibit welcomed approximately 500 guests (approx. 375 Sikhs to 125 Non-Sikhs) and featured creative works of 13 artists and activists. The works of the exhibit are now catalogued online in the form of a virtual exhibit.

Explore the Virtual Exhibit

We invite you to explore and reflect on these artworks through the gallery, and to act — by sharing these works with your communities and by standing up for human rights wherever you are. 

“Attending the exhibit was a profound experience that allowed me to connect with our history in a way I never had before. Growing up hearing about the atrocities of 1984, I realized how much of the depth and emotion I had missed until I stood in front of the carefully curated family photographs and listened to the powerful testimonies of survivors. The exhibit masterfully captured the raw pain, unyielding resilience, and the untold stories of that tragic time, honoring the memory of those lost while illuminating the indomitable Sikh spirit of survival and resistance. I left feeling deeply moved, forever changed, and full of admiration for the enduring strength of the Sikh community.” - Jag Gill

The exhibit was warmly received, and a number of guests came forward to share their own personal and family experiences in 1984 – some reconnecting with these stories for the first time in many years. These experiences ranged from cities of Delhi, Ranchi, Jamshedpur, multiple cities across the state of Uttarakhand and railroads across India.

“The 1984 exhibit at Jutta Gallery was painful to view. It was close to my heart as the state-sponsored violent attack had directly impacted my family. The phone exhibit where Sikhs spoke about the genocide was powerful, as was the matchbook art of the perpetrators of the violence. The stark reminder of the implements used to attack Sikhs was traumatic to view. The exhibit is important for all to remember and learn how quickly citizens can become disenfranchised, targeted, and murdered to see revenge by the state and its henchmen.”
- Amba Singh

The exhibit was recognized with citations from the second highest elected office in NYC, the Public Advocate Jumaane Williams. Citations were given to ICAAD, Sikh Coalition, Vishavjit Singh as the main partners behind the hosting of the exhibit. Two human rights advocates focused on 1984 in India, Harvinder Singh Phoolka and Sanam Sutirath Wazir (who was a guest speaker at the exhibit along with photos from his Amnesty International report being part of the exhibit) also received citations for their work. Ten artists whose works were part of the exhibit will also be honored with citations. 

The most important citation was given to The Kaurs of 1984, mothers and grandmothers who lost family members in 1984, some of whom faced direct assault as well, but who went on to nurture and support the next generation. The citation was accepted in person by Sanam Sutirath Wazir, author of the book The Kaurs of 1984.

“In times like these, with so much conflict, it is possible to focus on the present and forget the tragedies of the past. Exhibitions like this are a stark and important reminder of what happened in the not so distant past and the deep wounds that continue to reverberate across the hearts and minds of people; it is important to recognize and honor these feelings and show solidarity. I hope that many people get to see this exhibition in the future and learn from it.” - Vivek Rai

More than a few times guests asked what we envision next for the exhibit, and there was clear evidence from the guest reception and comments for this exhibit that there is a desire for it to continue for a longer period of time in NYC, and for it to travel across the nation.

“The multimedia pieces—ranging from poignant illustrations to rare photographs—captured not only the atrocities of that dark chapter in history, but also the enduring strength and resilience of the Sikh community. It’s healing to see how far we’ve come in reclaiming our voices. I was especially moved by the discussions on how the genocide’s legacy continues to impact us today, as well as the ongoing struggle against transnational repression faced by Sikhs worldwide. I am grateful for the opportunity to witness such an important moment in history being commemorated with such respect, creativity, and dignity.” - Jasmeen Nijjar

If you missed the in-person exhibit, you can explore and share the collection online. 

ICAAD Artivist Dilpreet Bhullar's exhibit "A Home in the Constant Flux: A Call to the Verb Memory," was on display from August 29-September 19th at Jawahar Bawan in Delhi.

Dilpreet, alongside curator Manan Shah, created an evocative exhibit which includes 36 photographs unravelling deeply personal narratives of migration, memory, and identity. Through extensive research, Dilpreet captures the invisible thread that binds our histories to physical objects—artifacts that carry the weight of love, survival, and resilience as people traverse borders. These objects, weathered by time, become vessels of memory, embodying both the personal and the political.

We're also please to announce that in honor of those lost, and the resilience of those who lived, resisted and built new lives, artist/storyteller/advocate Vishavjit Singh, ICAAD, and the Sikh Coalition are partnering to host a multi-media art exhibit in New York City entitled 40 Years Later: Art, Resilience, and the Legacy of 1984 from October 31st-November 9th. Please learn more and show your support at: https://dvnetwork.org/projects/40-years-later-art-resilience-and-the-legacy-of-1984

Challenging Human Rights Course Uses Artivism to Sharpen Advocacy Skills

This month, we congratulate the 28 participants from the inaugural re:flexing: Human Rights Advocacy 101 course. Joining us from 11 different countries and a range of movement backgrounds, the cohort built relationships of solidarity through our live discussion sessions and course materials aimed at sharpening our re:flexing skills as advocates. 

What is re:flexing?
re:flexing is the ongoing process of critical self-assessment to uncover our beliefs, social positions, relationships to power, and self-interest. A strong re:flexing practice is foundational to effective human rights advocacy, so we can reduce harm, find fulfilling alignment, cultivate strong relationships, and build inviolable solidarity in movements for social, environmental, and economic justice. 

The 5-week online course mirrored the thematic curiosity of the virtual artivism exhibition, re:covering (The Reflection Sessions), welcoming participants to explore what they’re covering, uncovering, and re:covering. This introspective course challenged participants to examine the patchwork of their own lives, experiences, and relationships through a powerful theory of change and provocative self-reflection exercises, encouraging them to unsettle, explore, and re:ground themselves.

ICAAD’s Human Rights Education

At ICAAD, we’re committed to offering human rights education that is responsive to the needs of our partners on the ground. Last year, we piloted a comprehensive 50-hour course offering and decided to break it into smaller chunks to create more manageable pathways in which advocates can choose which areas are the most useful to them. 

We have also chosen to emphasize live, facilitated sessions in order to connect advocates around the world across movements for justice. The other modules to come will include advocacy strategy, campaign development, and the future of human rights. As the first of the modules, the re:flexing course was a natural starting point, inviting us to come back to ourselves as advocates in order to make our movements stronger. 

One human rights advocate from this cohort shared: 

“This course opened my worldview. I was able to discuss the work others are doing, fighting oppression and seeking tranquility. I have never been in community with other members outside of the United States. To hear the struggles and to witness the perseverance of hope brought meaning to solidarity. This course allowed me to understand the term in a real way instead of using as a hashtag.”

A development professional from the cohort also shared: 

“It was encouraging to know and learn about participants from around the world who share the common interest of a more equitable future. I came in with my own biases however the ability to be able to be present and having that shared space to share and grow together was inspirational and heart warming to see the potential of what we could achieve if we come together in the right way, weaknesses, strengths and all.”

Want to join in the next course offering? Sign up for the ICAAD newsletter to be the first to know when enrollments open.

Picture: ICAAD Artivist Dilpreet Bhullar's work, A Home in the Constant Flux

In October 2023, as part of Global Diversity Awareness Month, we collaborated with Manatt, Phelps & Phillips, LLP's New York office for a special showcase of Dicta – a legal poetry collection by ICAAD artivist Harbani Ahuja that explores the gap between law and justice in key U.S. Supreme Court cases through history.

Harbani read a selection of poems from her collections on Immigrant Rights, the Rights of Black People, and Women's Rights, and previewed a poem from her forthcoming collection on the Right to Love. To view Dicta virtually, visit the interactive exhibit.

Since 2014, Manatt has been a valued ICAAD partner, providing us with pro bono resources to advance human rights globally. As a sponsor of our Artivism initiative, it was great to come together to share Harbani's inspiring work for an evening of art and conversation. Check out this video explaining how we work with Manatt to advance activism through the arts.

In November, we were thrilled to support Artivist Dilpreet Bhullar as she launched her new photo series, A Home in the Constant Flux: A Call to the Verb Memory, at the Simurgh Center in New Delhi. The central idea of the photo series is that during migration of people across geographies, the objects of love and necessity undergo the arduous ordeal, and that these, bearing the patina of age, create a desire to develop an understanding that personal histories are not isolated from the political selves. The photo documentation of the object of the refugees – Afghanis, Rohingyas and Tibetans, who are currently inhabitants of New Delhi and Jammu and Kashmir – along with the personal anecdotes recorded, traces the long history of India rooted in a diverse social milieu.

"This photo series attempts to let the refugees take a step back into the past in the hope of emancipating both themselves and viewers from the conventional framework of concepts and categories," said Dilpreet. "The series is situated in crucial intersections of liberal economy and global identity, and opens up the space to ruminate upon the fragility of ideals in terms of inclusion, empathy and care." 

At ICAAD, we believe that the arts play a critical role in building solidarity, challenging harmful narratives and supporting key advocacy objectives. Thanks to your support, we are able to continue working with resident artists to promote a more equitable future. 

Watch this space for new virtual galleries coming soon!

Dilpreet Bhullar presenting at the Simurgh Center

Last month, as part of Global Diversity Awareness Month, we were thrilled to collaborate with Manatt, Phelps & Phillips, LLP's New York office for a special showcase of Dicta – a legal poetry collection by ICAAD artivist Harbani Ahuja that explores the gap between law and justice in key U.S. Supreme Court cases through history.

Harbani read a selection of poems from her collections on Immigrant Rights, the Rights of Black People, and Women's Rights, and previewed a poem from her forthcoming collection on the Right to Love. To view Dicta virtually, visit the interactive exhibit.

Since 2014, Manatt has been a valued ICAAD partner, providing us with pro bono resources to advance human rights globally. As a sponsor of our Artivism initiative, it was great to come together to share Harbani's inspiring work for an evening of art and conversation. Check out this video explaining how we work with Manatt to advance activism through the arts. 

At ICAAD, we believe that the arts play a critical role in building solidarity, challenging harmful narratives and supporting key advocacy objectives. Thanks to your support, we are able to continue working with resident artists to promote a more equitable future. 

Watch this space for new artivism collections coming soon!

Exciting news! ICAAD Artivist Namita Kulkarni has released a new public arts project that demonstrates how colonialism has been, and continues to be, the major cause of the climate crisis. 

Through a collection of thought-provoking paintings and stories, the project aims to raise awareness about the ongoing human rights violations that have contributed to the climate crisis while highlighting the need for a more inclusive, equitable, and sustainable future.

You can view the collection through our virtual gallery.

“Far too often, we see the climate crisis framed as a matter of carbon emissions that we can compensate or offset our way around,” shared Namita. “But the colonial dimensions of the climate crisis cannot be overlooked. I wanted to create a series of paintings that make explicit the link between colonialism and the climate crisis, and also point to indigenous perspectives that dominant culture excludes.”

At ICAAD, we beleive that art plays a crucial role in inciting social change. We hope this project will inspire others to think more deeply about the connections between colonialism, climate change, and community. 

Namita’s paintings have already been on display in Bangalore, receiving national acclaim. Now, the collection is accessible to a global audience. We encourage you to visit the online exhibit and share your reflections!

“We need stories that point us to a whole other way of relating to the earth, not as a bunch of resources but as a web of relationships. And that our innate sense of awe and reverence for life stands in direct opposition to the colonizing impulse that has brought the climate crisis to our doorsteps”, stressed Namita. “That is what I’ve tried to share with this project.”

We hope you enjoy Namita's work, and we thank you for your support as we work to build connections and solidarity through the arts. 

Harbani and Jaspreet at Manatt

Last month, we were thrilled to display Harbani Ahuja's Dicta poetry collection at a special showcase at the offices of Manatt, Phelps and Phillips, LLP in Century City, Los Angeles. Harbani and ICAAD Co-Founder Jaspreet attended the event to present the collection.

Dicta is a public arts project developed as part of our Artivism program, where we support emerging and underrepresented artists from around the world. By redacting sections of key Supreme Court cases in U.S. history, Harbani’s collection of poems highlight the gap between law and justice, and the impact that this disconnect has on marginalized communities. You can check out the collection here.

“Dicta is a brilliant showcase of how written laws in the justice system do not always reflect the injustice of the world, and bridges art and activism in a way that connects people with something that can feel as intangible or impersonal as Supreme Court decisions,” said Sirena from Manatt. 

“Providing access to justice for all, no matter a person’s skin color, gender identity, sexuality or immigration status, is part of Manatt’s DNA, and we’re extremely proud to partner with ICAAD to feature Harbani’s incredible work highlighting the legal inequities we too often see for historically underrepresented communities.”

We were so excited to share Harbani’s work through a beautiful visual arts display, and look forward to our continued collaboration with Manatt as we advance social justice through the arts.

Thank you for supporting our Artivism initiative – your generosity makes all of this possible! Watch this space as we continue to raise the profile of our resident artists and promote important issues of social justice. 

Harbani at Manatt

Building on the success of our inaugural Artivist-in-Residence, Harbani Ahuja, we are thrilled to announce that our Artivism program has expanded. Last year, we brought on board five new Artivists-in-Residence from around the world. They come from a diversity of backgrounds, but all share a commitment to exploring the relationship between human rights advocacy and the arts.

Each artist is currently working on finishing their respective collections, to be shared publicly through exhibitions and events starting this year. Find out more about them below: 

Namita Kulkarni (India): Namita Kulkarni is a yoga teacher, writer and artist based in India. She’s been teaching yoga for the last 12 years. A gold-medallist law graduate, she also has a Post-graduate Diploma in Intellectual property rights from National Law School of India University, Bangalore. Her Artivist project aims to demonstrate how colonialism has been (and continues to be) the major cause of the climate crisis. Colonialism and the climate crisis both being rooted in ever-extractive ways of life which stand disconnected from any sense of wonder and humility before the infinite workings of the planet. Her project also explores how indigenous wisdom might bring us to our role as a custodial species with a sense of belonging to the planet rather than possessing it.

Dilpreet Bhullar (India): Dilpreet Bhullar is a writer and researcher based in New Delhi, India. With an MPhil from the University of Delhi in Comparative Literature, she has been the recipient of the Alliance for Historical Dialogue and Accountability Fellowship at Columbia University, New York. She is co-editor of the books Third Eye: Photography and Ways of Seeing and Voices and Images. Her essays on identity politics, the representation of refugees in print and digital media, and visual sociology are frequently published in leading books and journals. Currently, she is the associate editor of a theme-based journal dedicated to visual arts, published by India Habitat Centre. Dilpreet is developing the project entitled Narrative of Object and Voice of Memory. The exercise to retrace the intangible memory entwined with the tangible object is the core of the project. The etic framework of the projects offers displaced the agency to share a figment of personal memory of loss to reconcile with the past in the present with a desire of creating a promising future. Towards this end, the photo-documentation of the object – a source of emotive personal attachment – interweaves the personal histories and experiences of displacement.

Katja Phutaraksa Neef (New Zealand): Katja Phutaraksa Neef is a self-taught political artist born and raised in Thailand and grew up in Japan and Aotearoa. She has participated in field research and workshops in Fiji, Vanuatu, Thailand, Cambodia, Tanzania, Peru, Indonesia, and West Papua with a regional focus on Asia and the Pacific. Her academic research and advocacy interests include issues concerning land governance and dispossession, social inclusion, Indigenous rights, forced migration, and climate justice. Katja’s artworks explore key human rights themes surrounding Climate Justice, refugees, forced displacement, and racial justice through ostensibly innocuous mediums such as art, predominantly using mixed media, sculpture, and oil paint.

Queen (U.S.): Queen is an Artist, Facilitator & Wellness Practitioner from the indigenous Munsee Lenape lands called Brooklyn, New York. From music to meditation and more, Queen designs multi-media experiences that integrate performing & visual arts with practical healing techniques. Current work explores intergenerational dialogue as a key resource for addressing age-ism, implementing holistic healthcare & housing justice. 

Vishavjit Singh (U.S.): Vishavjit Singh is a New York City based TEDx speaker, illustrator, performance artist, storyteller, and creator of www.Sikhtoons.com. He got his spark for cartooning in the post 9/11 tragedy when Americans with turbaned and bearded countenance became targets of hate/bias crimes. For the past few years, he has been traveling across the US with his Captain America persona armed with a turban, beard, and humor to tackle fear, anxiety, bigotry, and intolerance. He uses storytelling as a tool to create a space for challenging conversations around identity, race, bias, vulnerability, and how to be agents for positive change. He hosts talks & keynotes in schools, universities, government agencies and companies including Google, Apple, NASA & Congressional Asian Pacific American Caucus. As an artivist and a survivor of the 1984 genocidal massacre of Sikhs in India, he is working to capture the stories of many like himself who survived this tragedy.

Stay tuned for more updates on their work as we begin to unveil their collections! 

Do law and justice go hand-in-hand? Have some court decisions taken us backwards? What role can the arts play in making the law more accessible? Whereas legalese tend to be confusing, complicated and get stuck in the brain, poetry might be brief and go straight for the heart of the matter. 

This month, we collaborated with the Center for Art Law to host an event with our ARTivist-in-Residence, Harbani Ahuja. 

Harbani presented her poetry collection Dicta: created from redacting sections of key Supreme Court cases in US history. She read selections from her collections on the Rights of Black People, Immigrant Rights and Women’s Rights, and highlighted the tensions between law and justice in the courts through striking visual art. Harbani also discussed her career as an attorney, the reasons she chose to pursue a career in law, and how Dicta has changed her outlook on the law and her legal career. 

During the event, Harbani explained that her motivation behind creating Dicta was to make the law more accessible and easier to read. She said: "Because the law is so complex, we often just assume that it’s correct, it’s right, it’s just – but it’s not.” She noted that we are often trained to think of the law as just by society, but that the reality is much more complex.

“Legal systems are a reflection of what people in power deem to be morally right or wrong", Harbani reflected. "So for a lot of marginised groups in this country, the law has even been used as system of oppression." 

The timeliness for the struggle for human rights in the US country still continues today, and is illuminated by Harbani's powerful works. Her two forthcoming collections, on Indigenous Rights and the Right to Love, will be added to the exhibit in the coming months – we cannot wait to share them with you! 

We are excited to announce the release of a new series of Dicta Legal Poetry, available to view in our immersive virtual exhibit. The Immigrant Rights series highlights critical and shameful features of U.S. immigration – from the Chinese Exclusion Act to the ‘Muslim Ban.’ 

Whether through laws barring certain nationalities from entering the country, the imprisonment of Japanese-Americans in internment camps, or the passage of policies to disallow asylum seekers from entering the country, the message across each poem is clear: immigration in the U.S. has never been about inclusion and acceptance.

We asked Harbani what this collection means to her. She said: “We like to fantasize about how America is a country of immigrants, but if you look at the history of the United States, there have always been marginalized groups of immigrants which have been ‘othered’ and excluded from this country. This collection really goes to show how complex and broken our immigration system is – and just how often laws and policies that are harmful to marginalized immigrant communities continue to be justified in law. In thinking about this, I hope we can reimagine what a just and equitable immigration system should look like.” 

The Immigrant Rights series joins existing series on Women’s Rights and the Rights of Black People, available in the virtual gallery. Two more collections, on the Right to Love and Indigenous Rights, are forthcoming. 

Dicta is a product of ICAAD’s Artivist-in-Residence program, which stems from our belief that the arts play a vital role in driving social justice at local, regional and global levels.

“When combined, art and activism can play a powerful role in connecting people across borders and languages. Supporting the arts has been vital to our human rights work around the world; it helps us tap into difficult emotions, encourages empathy, and unleashes creative thinking,” said Jaspreet Singh, ICAAD Co-Founder and Advocacy Strategist. 

He continued, “Harbani’s incisive critique of the gap between law and justice in the U.S. is urgently needed – following the Supreme Court’s devastating decision to overturn Roe v. Wade, and while new immigration policy easing deportations remains frozen. Dicta is a powerful way for us to reflect on these developments as we work towards a more equitable future.” 

Dicta is supported by Clifford Chance; Manatt, Phelps & Phillips; and Graymatters; and the virtual exhibit has been developed in partnership with digital creative agency, y’all.

Human Rights Center ICAAD Features Digital Legal Poetry Exhibit for Black History Month

This Black History Month, international human rights center ICAAD invites you to explore the history of racial justice in the courts through their immersive virtual exhibit, Dicta. The exhibit features the Dicta legal poetry series by Harbani Ahuja and melds poetry, law, and art to inspire activism in pursuit of social justice.

Landmark Supreme Court cases including Brown v. Board of Education and Loving v. Virginia are exhibited in the form of found poetry, illuminating the theme of racial justice from the black letter text. Of Harbani’s 40-poem series, ten poems make up the Rights of Black People theme featured this month. The Rights of Black People series was also published in the ABA Journal in 2021.

Dicta is part of ICAAD's embrace of Artivism as a means of driving social justice at local, regional, and global levels. Artivism, a marriage of artistic expression with activism, often taps into a depth of emotion deeper than words can express and connects across physical and cultural boundaries. The exhibit has garnered sponsorships from Clifford Chance; Manatt, Phelps & Phillips; and Graymatters; and the virtual exhibit has been developed in partnership with digital creative agency, y’all.

Partner at y’all, David Lubofsky said, “At y’all, we recognize that art is a force that drives discourse, dialogue, and change for the better. We had the honor and the privilege to lend our design and development talents in partnership with ICAAD to bring Harbani Ahuja’s poetic works to life.”

"In our human rights work around the world, we have seen how art can inspire positive action," said Jaspreet Singh, co-founder of ICAAD. "We hope that Dicta and our future Artivism projects will inspire others to join efforts to tackle discriminatory issues and promote equality."

At the heart of Dicta is public interest lawyer and poet, Harbani Ahuja, who is currently Senior Legislative Council for the NY City Council and ICAAD's inaugural Artivist in Residence. As a writer, designer, and advocate, Harbani has focused her law practice on civil rights, immigrant rights, and public health.

"We as a people often view the law as a larger-than-life concept that we don't understand or find accessible, yet is widely considered the equivalent of justice," said Harbani Kaur, ICAAD's Artist in Residence. "My intention for Dicta is to expose the gap between the law and justice."

“What I love about Dicta is that I believe it’s an invitation to interrogate things that we sometimes take for granted,” said Zuleka Henderson, ICAAD Advisor. “We are creative beings. If people originally created these laws for purposes that are unjust, what can we reimagine for the future? That’s what Harbani’s work does. It encourages us to remember that we can shift things, move them around, and read into what’s underneath something that was presented to us in one way.”

Sixteen poems are currently on display in Clifford Chance’s New York office as part of the firm’s ongoing commitment to supporting human rights efforts, arts, and the community. Clifford Chance also produced an interview with artist Harbani Kaur Ahuja which can be viewed here.

"We believe Dicta can educate and inspire people everywhere to better understand the timeless and ceaseless struggle for human rights and the importance of finding ways to stay engaged," said Hansdeep Singh, co-founder of ICAAD.

Clifford Chance partner and lead on the firm’s relationship with ICAAD Celeste Koeleveld said, “Our sponsorship on Dicta is the latest in a variety of pro bono initiatives in which Clifford Chance has supported ICAAD. We are proud to promote legal activism and heighten awareness of human rights efforts and social justice with this exhibit.”

NEW YORK - On December 10th, Human Rights Day, the international human rights center ICAAD launches an immersive virtual exhibit featuring the Dicta legal poetry series by Harbani Kaur Ahuja. The exhibit melds poetry, law, and art to inspire activism in pursuit of social justice. 

Dicta is part of ICAAD's embrace of Artivism as a means of driving social justice at local, regional, and global levels. Artivism, a marriage of artistic expression with activism, often taps into a depth of emotion deeper than words can express and connects across physical and cultural boundaries. The exhibit has garnered sponsorships from international law firm Clifford Chance; Manatt, Phelps & Phillips; and Graymatters; and the virtual exhibit has been developed in partnership with digital creative agency, y’all.

Partner at y’all, David Lubofsky said, “At y’all, we recognize that art is a force that drives discourse, dialogue, and change for the better. We had the honor and the privilege to lend our design and development talents in partnership with ICAAD to bring Harbani Ahuja’s poetic works to life.”

"In our human rights work around the world, we have seen how art can inspire positive action," said Jaspreet Singh, co-founder of ICAAD. "We hope that Dicta and our future Artivism projects will inspire others to join efforts to tackle discriminatory issues and promote equality."

At the heart of Dicta is public interest lawyer and poet Harbani Kaur, ICAAD's inaugural Artist in Residence. As a writer, designer, and advocate, Harbani has focused her law practice on civil rights, immigrant rights, and public health. 

With Dicta, Harbani creates found poetry in court decisions, illuminating the broader social justice themes from the black letter text. Harbani has completed 20 poems in the 40-poem series. The two themes covered so far are the Rights of Black People and Women’s Rights. The Rights of Black People series was published in the ABA Journal earlier this year. Next year, the remaining poems will be added to the exhibit on the themes of the Right to Love, Immigration, and Indigenous Rights. 

"We as a people often view the law as a larger-than-us concept that we don't understand or find accessible, yet is widely considered the equivalent of justice," said Harbani Kaur, ICAAD's Artist in Residence. "My intention for Dicta is to expose the gap between the law and justice."

Sixteen poems are currently on display in Clifford Chance’s New York office as part of the firm’s ongoing commitment to supporting human rights efforts, arts, and the community. Clifford Chance also produced an interview with artist Harbani Kaur Ahuja which can be viewed here. 

"We believe Dicta can educate and inspire people everywhere to better understand the timeless and ceaseless struggle for human rights and the importance of finding ways to stay engaged," said Hansdeep Singh, co-founder of ICAAD.

Clifford Chance partner and lead on the firm’s relationship with ICAAD Celeste Koeleveld said, “Our sponsorship on Dicta is the latest in a variety of pro bono initiatives in which Clifford Chance has supported ICAAD. We are proud to promote legal activism and heighten awareness of human rights efforts and social justice with this exhibit.”

View the Dicta exhibit here. 

Dear friend,

We have many exciting updates to share around the Artivism program and ICAAD's release of Dicta, Artivist-in-Residence Harbani Kaur Ahuja's new exhibition. 

The first 10 poems of Dicta received an excellent reception through their release via the ABA Journal over the past three months. The ABA Journal is one of the most widely read legal publications in the U.S. and in addition to the release of the gallery, an article was published on Harbani and her work. 

Harbani was also featured on the Legal Talk Today Podcast. Listen to Harbani’s interview with Laurence Colletti; she reads LA v. Lyons and shares what the piece means to her and her process in creating Dicta. Click here to listen. 

Harbani was also interviewed for Law360 Pulse. In the article, you can read about how poetry influences her work as an attorney and get a preview of one of the poems from the next Women's Rights series: Walmart v. Dukes. Check it out here.  

We also have four blogs inspired by Dicta that were published over the past three months. One, written by two Masters students at Columbia University focuses on Racial Equity in NYC Public Schools.

The second and third articles are a two-part series entitled "Police Cannot Police Themselves." And the fourth is a case study on the Supreme Court's impact in relation to a case on racial justice in employment law. You can read those four blogs on ICAAD's Ideas blog.

What's on the horizon for Dicta?

We have partnered with Y’all, a creative design firm, to develop and launch an immersive virtual exhibit for Dicta on International Human Rights Day, December 10th. Mark your calendars and stay tuned for the rollout of the Women’s Rights Dicta series. 

We've also opened a call for applications to invite the next cohort of Artivists-in-Residence.

With your support, we’ll be able to bring on more artivists next year and launch even more exhibits that educate people on human rights and inspire them to activism by moving them from the heart.

Thank you for your continued support!

In April, we hosted a virtual concert that brought together 5 incredible Sikh artists around the theme of resisting injustice and building equity. One of those incredible artists was Harbani Kaur, our current artist-in-residence who is currently working on a project called Dicta.

In the video, Harbani shares two poems and discusses her process around creating them.

She shared:

“We, as people, often view the law as a larger than us concept that we don’t quite understand or find accessible. We often also view it as the equivalent of justice. My intention with Dicta was to expose the gap between the law and justice.”

While the virtual exhibit development is still underway, we wanted to share her sneak preview from the event with you. Enjoy!

Links:

Dicta Sneak Preview

We’re excited to share that Harbani has now completed 16 poems in the Dicta exhibit, and it is difficult for us to resist releasing her amazing work at this stage. Each and every poem is deeply moving in this crucial moment for legal activism. When completed, the exhibit will allow the viewer to trace societies’ current struggles and successes to the sacrifices of ordinary people who chose to defy systems of injustice, armed only with the belief that the “arc of the moral universe is long but it bends towards justice.” 

The ARTivism program amplifies the impacts and innovations of art, technology, and law to inspire greater public awareness and social action, and for Dicta, to map the evolution of the rule of law. As a part of that integration, the ICAAD team has been working to build an interactive virtual exhibit and developing the educational context cards that will accompany each poem. This historical context will provide the narrative for legal activism and explain how these momentous cases came to be. The virtual exhibit is currently in a beta testing phase as we continue to refine its features.

We are planning a sneak peak for DVN Donors in mid-April. Stay tuned!